The Origins of Cool in Postwar America Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. If African-American slang is the cradle of the new kind of cool, then jazz culture was its nursemaid. Popular American music was already quite friendly to the vernacular, but swing-style jazz went so far as to turn language into a self-conscious plaything. Starting in 1938, Cab Calloway began publishing his “Hepster’s Dictionary,” a pamphlet explaining that “jive talk is now an everyday part of the English language. Its usage is now accepted in the movies, on the stage, and in the song products of Tin Pan Alley.” Subverting the usual method of explaining unusual words in more familiar language, the “Hepster’s Dictionary” was the un-Webster’s. To be unhep was t
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